7 Best Wireless Microphones for Singing (All Budgets!)

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Wireless microphones sound fantastic and help to reduce the amount of wire clutter. So what are the seven best wireless microphones for singing?

The Shure PGXD24/BETA58 is our best choice for wireless mics. With a 330-foot line-of-sight working range and replaceable capsule design, this microphone is popular among vocalists all over the world. If you are on a modest budget, the Shure PGA31 is a great option.

In this article, we will expand upon the seven best wireless microphones for singing, ranging from budget to top-of-the-line options.

The Best Wireless Microphones for Singing

Since wireless microphones are not affected by movement, we can use them without being concerned about getting entangled in cables. And if we talk about mobility, they are incredibly adaptable.

However, we cannot simply purchase any old wireless mic for live music gigs. When selecting industrial-standard wireless mics, there are several factors to consider. In this article, we’ll talk about the seven best wireless microphones for singing, along with the features that make them unique.

Shure ULXD2/KSM9

It should come as no surprise that Shure produces some of the greatest professional wireless mics available. In addition, the most renowned mic of all time is now available in a premium wireless form.

This microphone is at the top of the list of the finest industry-standard wireless mics for singers. And it has a lot of features.

If we talk about dynamic voice microphones, the ULXD2 from Shure is the industry standard. The replaceable capsules are maybe the nicest aspect of this model.

The 24-bit sound is electronically encrypted to provide the most reliable transmission possible. Its 330-foot line-of-sight operational range makes it suitable even for the grandest shows.

The replaceable capsule design allows you to select the finest sound regardless of the voice it is picking up. These nine distinct capsules are supplied individually, so you may choose which one is best for your requirements.

The KSM9 capsule features a frequency spectrum of 30Hz to 20kHz and a sound range greater than 120dB. It also features either a super-cardioid or cardioid polar arrangement that may be selected.

Adjustments could be done on the fly using the backlit LCD display. Display mode allows you to adjust the channel, battery backup, frequency, and grouping.

It may be powered by two AA batteries or by Shure’s rechargeable battery pack.

It is definitely expensive. However, if we talk about sound variety and longevity, it cannot be rivaled. It’s well-constructed and adaptable enough to match any vocal style.

Shure PGXD24

This wireless microphone’s key selling features are its low price and high quality.

This version is an easy choice if you want a straightforward microphone that will simply work. It has a 24-bit audio input and a sturdy transmitter and receiver. It is just an SM58 with a quality of 24-bit/48kHz.

The automated frequency recognition allows you to find a clean channel within 200 feet of its operational range.

The cardioid polar design offers excellent front address pickup as well as rejection.  Not only is there one-touch synchronization and “real digital diversity,” but you won’t need to be concerned about the wireless signal’s dependability.

The receiver has XLR and 1/4″ outputs to deliver the signal to the subsequent piece of equipment in the loop. Each frequency spectrum supports five channels. It can also operate for approximately 9 hours on only two AA batteries!

Sennheiser EW500 G4-KK205

Sennheiser designed this model specifically for use on stage. It has a Neumann KK 205 microphone capsule for crystal-clear sound.

This capsule reproduces the legendary quality of something like the Neumann KMS 105 portable condenser.

Its shock-mounted super-cardioid capsule features three basket segments that aid in the elimination of plosives, which is something that condensers are particularly sensitive to. It also aids in the control of sibilance.

It offers an astounding 3,520 frequencies across Sennheiser’s authorized bands while working on an 88MHz frequency. It can operate in as many as thirty-two parallel channels.

It rejects sound well because of its super-cardioid polar pattern, which also aids in the elimination of feedback.

The OLED screen has indication LEDs that indicate when it has been synchronized. It also has a caution light, a mute button, and automatic dimming.

It’s also made to be more resistant to water and perspiration and has an eight-hour battery life. A rack-mountable transceiver aids in keeping things neat behind the scenes.

Lastly, it is fully compatible with prior G1, 2, and 3 units in the series, thus boosting its worth. And, as with all Sennheiser mics, it’s engineered to withstand the rigors of the stage.

Samson Go HXD2

The Samson Go is a choice that is definitely worth considering for those on a tight budget who want to get into the realm of wireless microphones.

It works in a bit of a different manner than other mics. Its dual-channel transceiver connects to your cell phone or camera and allows you to mix sound on two distinct channels. This makes it particularly suitable for developing social media content.

It operates at 2.4GHz and has a range that extends up to a hundred feet. There is a windshield and a mode LED built in. It takes some skill to adjust the inner gain control from the default “optimal gain” configuration, but it’s a handy feature.

For maximum clarity and fine detail, it utilizes a C5 condenser capsule along with a cardioid polar arrangement. It can also withstand a lot of sound intensity since it is calibrated at 140dB SPL.

This device is a wonderful alternative if you want to improve sound quality for video creation, need a budget wireless mic for seminars, or would like to get your hands dirty with the way they function for around $100.

Shure PGA31

Another Shure device, the PGA31, is our affordable choice for beginning consumers and artists who don’t want to spend a lot of money on a headset mic. It is a straightforward single-directional condenser mic that accomplishes its purpose with high-standard organic sound and ease of usage.

The audio quality of the Shure PGA31 is excellent, with clear and crisp notes. It is an excellent headset for both studio recording and live performances. The downside is that it’s a large and visible headset, and its build is not of the finest quality. These are reasonable drawbacks for the price.

The Shure PGA31 offers excellent value for money while providing adequate audio quality for novices. With its cardioid polar design and excellent noise-reducing technology, it is primarily intended for professional use but could also be utilized in concerts.

Audix AP41 OM5

The OM5 is a long-lasting, wide-band wireless portable mic. The 32MHz wide-band receiver uses two bandwidths: 522MHz–554MHz and 554MHz–586MHz.

Setup is simple and easy thanks to 106’s already coordinated frequencies. A single-button press looks for a channel. With a range of 300 feet, an SPL of 144dB, and a battery life of 14 hours, you will have no problems during any kind of show or performance.

The transceiver is rack-mountable, which allows you to keep your backline orderly. Because of automated frequency automation, it is simple to set up.

It is intended for a silent startup on band seven (500.1MHz–530.5MHz) and may use up to twenty wireless connections within the same frequency range simultaneously.

If you mix bands, you can get as many as 48 channels. The wireless mic, as well as the transceiver, are all part of the price.

There are several attachments supplied. You’ll be up in a matter of seconds with a remote broadcaster, rack-mount hardware set, diversity receiver, cable for batteries, power source, two antennas, and a mic clip.

It also includes a travel bag, which aids in keeping everything organized and convenient.

PROZOR Wireless Microphone

If you’re searching for a low-cost solution, PROZOR’s dual-pack of wireless mics is one of the better possibilities. Albeit not professional-standard, these mics are a fantastic choice for beginners and will perform well enough for karaoke, parties, and other similar situations where suboptimal audio is acceptable.

Although this is a wireless solution, it still requires a mic jack because it comes with a transceiver that attaches to the mic through FCC frequency. That ensures you don’t have to worry about connecting your microphone, and you can walk as far as 160 feet away from the portable receiver without sacrificing voice quality.

The best part about this unit’s settings is that they enable you to adjust the echoing, treble, bass, and total volume right from the microphone. A tiny LED panel displays the power left as well as the existing frequency range. PROZOR’s microphones are also remarkably versatile, with the system accommodating a maximum of 100 microphones.

The mic works on two AA batteries, including a volume button for the microphone and a frequency synthesizer which you can set to avoid interference while performing.


In this article, we discussed the seven best wireless microphones for singing, along with the different features that make them unique.

The Shure PGXD24 is our top pick for wireless microphones. This mic is appreciated among singers all around the world due to its 330-foot line-of-sight operating range and changeable capsule construction. But if you’re on a tight budget, the Shure PGA31 is an excellent choice.

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